Saving OP books, giving new life to in-print but barely moving books, or adding a layered, multi-dimensional platform to a healthy title—these are just three of the common reasons publishers, editors, and authors are discussing the world of electronic books as it applies to nonfiction. Most of us have e-book clauses in our contracts, but as the e-world is rapidly changing, so our rights, which has authors and publishers clamoring to figure out the best ways to proceed.
At least for right now, there doesn’t seem to be a clear answer and it can be very book-specific when it comes to nonfiction. In contrast, I have plenty of fiction writer friends who are successfully getting their e-book rights back (generally from OP or almost-OP books) and publishing in this format on their own—for 100% of the profits, minus expenses. But when photo rights and book designs factor so heavily into the final product of a nonfiction book, things are much trickier. If the e-rights for photos have not already been secured for an older NF book, it is not necessarily feasible from a time or money standpoint to track them down again. I certainly make sure I have e-rights for photos now, but that wasn’t the case a few years back.
Read this recent INK post from Jim Murphy for his perspective on one aspect of this issue. And Marc Aronson has tackled this topic in his SLJ blog, Nonfiction Matters, here and here. I think it would be worthwhile as well as illuminating to have NF writers and publishers, as well as readers, teachers, and librarians share some of their thoughts and insights, to see what some of the varied experiences are. I am also quite interested in hearing from people about what they think the future will hold.
Please weigh in with your comments!